A wordmark over motion, cleaned in one upload.
Clean the wordmark off a free-tier Luma Dream Machine clip. Drop your video into our media workflow: detection, cleanup and download in one place.
Luma watermark
Luma AI's Dream Machine turns a prompt or a source image into a short generated video clip, with camera movement and realistic motion as the whole point of the product. Free-tier output typically carries a visible wordmark, usually sitting near a bottom corner of the frame for the length of the clip.
Drop the clip into the upload panel above and our media workflow handles detection, the retouch and the download in one place.
The problem, in plain terms
Dream Machine leans heavily into camera motion and naturalistic scene changes, so the mark's fixed screen position often ends up over shifting content: a moving cloud, a panning street, a subject walking through frame. That is different from a mark stamped on a still photo, where the pixels beneath it never change, and it is the reason two clips with the exact same visible wordmark can need very different amounts of cleanup work, sometimes noticeably so, depending on what the camera happened to be doing at that point in the shot.
Paid Luma tiers frequently export without the wordmark. Check your own account's export settings before assuming you need removal at all.
How it works
The cleanup itself runs in our media workflow, right from the panel above.
Why it matters
A wordmark sitting on an otherwise cinematic-looking generated clip is the single fastest way to signal that the footage came from a free account, before anyone has judged the actual content. That barely matters for a personal experiment. It matters a lot for a pitch deck or a client-facing sizzle reel, where the mark becomes the first thing anyone notices rather than the last.
After removal
Watch the corner where the mark sat at full resolution, not a compressed preview. Because Dream Machine emphasizes camera motion, check the frames with the busiest content under the mark most closely.
Do any further re-encoding for another platform after confirming the retouch looks right, since another compression pass can smear a rough patch further.
Straight answer
No. A busier scene under the mark's position is a harder job than a plain background, and no outcome here is promised to be flawless on every clip. This page also only speaks to the visible wordmark, not to anything else Luma may or may not attach to a file.
Who uses this
A few recurring, legitimate situations.
Practical notes
Our media workflow accepts the common video formats a Luma export comes in, MP4, WebM and MOV, and there's no fixed limit on how many clips you process in a session. Each clip is handled on its own, so a busy, motion-heavy frame in one video has no bearing on how cleanly the next one comes out.
Only the video frame is affected by the cleanup. Any audio track in the file, including a music bed or voiceover, is carried through untouched, so there's no need to separate and remux audio and video around the process.
FAQ
Everything below is answered in full, nothing to click open.
Free-tier output typically carries a visible wordmark, usually near a bottom corner of the frame.
Drop the clip into the upload panel on this page. Detection and cleanup both run in our media workflow.
It goes to our media workflow, the same workspace this page's upload panel opens.
Yes, no cost or account required.
Often, yes, though the exact tier structure changes over time. Check your account's export settings directly.
Limits are set by our media workflow, the workspace that processes the file.
Not guaranteed. A busy scene under the mark's position, moving clouds or a crowded street, is harder to clean than a plain background.
Dream Machine emphasizes camera motion and naturalistic scenes, so what sits under a fixed corner mark changes from clip to clip.
This page only addresses the visible wordmark. It does not claim knowledge of anything beyond that.
No. Re-encoding can affect file metadata, but a visible mark baked into the frame stays unless it is specifically removed.
Not on this page. Process clips one at a time in our media workflow.
Yes, the workflow works the same way on mobile.
Yes, work from the first-generation file rather than a re-share or a screen recording that has already lost quality.
Yes, that is a common case here, cleaning up generated footage before it goes into a client-facing deliverable.
It can happen, depending on what is under the mark. No removal here is promised undetectable in every case.
Both are free-tier wordmarks on moving generated footage. The specific difficulty depends on each tool's own motion style.
No. This is an independent tool, not made by, endorsed by, or connected to Luma AI.
A rough guide: if the mark's corner sits over sky, a wall or another plain background for most of the clip, it is generally easier than if something busy is moving through that spot.
MP4, WebM and MOV, the formats a Luma export is typically saved in.
No. Only the video frame is touched; any audio, including a music bed, is left as is.
Yes. A difficult, busy frame in one clip has no bearing on how any other clip is handled.
No. This is an independent tool, not made by, endorsed by, or connected to Luma AI.
Drop it into the workflow above. Detection, cleanup and download all happen in one place, free, with no signup.
Remove the watermark